Here we intend to set forth our theory of “theo-drama”, having concluded the predominantly literary prolegomena in volume one, which yielded a whole set of resources for the task. This “theo-drama” is a “theological”1 undertaking; that is, it reflects upon the dramatic character of existence in the light of biblical revelation. Thus our reflections are themselves based on this revelation: they do not merely seek it. This is immediately evident from the fact that our view of God, the world
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